DIGITAL ARTIFACT MAGAZINE
ISSUE 2: TRANSNATIONALISM
**Call for submissions**
Deadline: May 15, 2008
Digital Artifact Magazine interrogates narrative in contemporary culture through fiction, criticism, experimental prose, and web-based audio-visual work. We're specifically interested in the impact of digital culture and globalization on contemporary narrative(s). How do these phenomena create new forms of story, text, language, and literature? What kinds of narratives have emerged from specific elements such as web sites, chatrooms, video games, Myspace, internet porn, digital photography, web cams, blogs, internet media and cell phones, as well as broad trends such as the breakdown of national boundaries, the increased speed of communication, and the globalization of culture, capitalism, and war?
The second issue of Digital Artifact will examine the idea of transnationalism. What is the transnational space in literature and art? How do we describe the textual and digital interactions between countries, classes, cultures, languages, and identities? How do we write/track border crossings, migrations, translations, trans-cultural identities and conversations? In particular, we are interested in narratives that cross boundaries between the countries of the so-called first, second, and third worlds, narratives of migration, war, global society, cosmopolitanism and refugee culture. What does nationalism mean in our time? What is your (trans)nationality? We invite creative responses that explore these question through fiction, criticism, experimental prose, or web-based audio-visual work. Our aesthetic tendencies are always on display at digitalartifactmagazine.com.
Submission Guidelines
We accept e-mail submissions only. Send submissions to digitalartifact@gmail.com. In the subject heading, include your last name and the word “submission.” Do not send previously published work, and let us know if the work gets accepted elsewhere. One submission per person, please. Include a brief (50-100 word) bio with your work. We will read and respond to submissions between May 15 and July 15. We regret that we cannot provide payment for accepted content at this time.
**We accept text pieces up to 2,000 words in length. Please paste your work as plain text directly into the e-mail. You may also send a text document as an attachment in addition to pasting the content, if formatting is important to the piece.
**For images, we accept visual files in pdf, jpeg, and gif format. Please send low-res (72 dpi) versions for submission review.
**For sound, send mp3 files, zipped if possible, at a length of 5 minutes or less.
**For video footage, email QuickTime files, compressed for web, again in the vicinity of 5 minutes or less. Links to videos posted online also work. If we have difficulty looking at your video due to compatibility issues, we will email you with information about uploading your submission to the Digital Artifact YouTube account.
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EILEEN MYLES was born in Cambridge, MA in 1949. In 1974, she moved to New York where she studied poetry with Paul Violi, Alice Notley and Ted Berrigan. Her latest book is Sorry, Tree in which she describes "some nature" as well as the transmigration of souls from the east coast to the west. Bust Magazine calls Myles "the rock star of modern poetry" and Holland Cotter in The New York Times describes her as "a cult figure to a generation of post-punk females forming their own literary avant garde." She has been a professor of writing at UCSD since 2002.
MICHAEL NICOLOFF is the author of the chapbook "'Punks'" which was put out in print form by Taxt Press in 2007 and can now be found on the website Deep Oakland. His poetry and reviews have appeared in such fine publications as The Recluse, Mirage #4/Period(ical), The Orgasm Zine, and Traffic. Born and raised in Olympia, WA, he has hopped between coasts for the last several years. Right now, though, he lives on Alcatraz--the street--in Oakland, CA.
