7 pm
Sunday Jan 20
at 2 1 G R A N D
416 25th St corner B'way
Oak
$5
Carla Harryman is known for her genre-disrupting prose, poetry, and performance works. Recent publications include Open Box (Belladonna, 2007), Baby (Adventures in Poetry, 2006), Toujours l'epine est sous la rose (Ikko, 2006: tr. Martin Richet), and Gardener of Stars (Atelos, 2001). A collection of conceptual essays, Adorno's Noise, is forthcoming from Essay Press this spring. Recent performance pieces in Detroit, Montreal, Germany and Austria have featured bilingual choral improvisation and sound manipulation. Her 1994 work, Memory Play, will be staged at the Renaissance Society in Chicago in March 2008. She is also a participant in The Grand Piano collaboration, a ten-volume experiment in collective autobiography by ten writers originally identified with Language Poetry in the San Francisco Bay Area. Since her 1995 move out of the Bay Area, she has lived in Detroit.
Lauren Gudath lives in Petaluma, California, where the sky is always sunny and the butter and eggs are always fresh. There she writes sundry items for software companies and poems for a tiny audience that may include you. Lauren's publications include The Television Documentary (Second Story, 1999) and This Kind of Interpretation Brings Luck (Lucinda, 2000). Her work has appeared in numerous publications including Kenning, Chain, and Bay Poetics.
Sunday Jan 20
at 2 1 G R A N D
416 25th St corner B'way
Oak
$5
Carla Harryman is known for her genre-disrupting prose, poetry, and performance works. Recent publications include Open Box (Belladonna, 2007), Baby (Adventures in Poetry, 2006), Toujours l'epine est sous la rose (Ikko, 2006: tr. Martin Richet), and Gardener of Stars (Atelos, 2001). A collection of conceptual essays, Adorno's Noise, is forthcoming from Essay Press this spring. Recent performance pieces in Detroit, Montreal, Germany and Austria have featured bilingual choral improvisation and sound manipulation. Her 1994 work, Memory Play, will be staged at the Renaissance Society in Chicago in March 2008. She is also a participant in The Grand Piano collaboration, a ten-volume experiment in collective autobiography by ten writers originally identified with Language Poetry in the San Francisco Bay Area. Since her 1995 move out of the Bay Area, she has lived in Detroit.
Lauren Gudath lives in Petaluma, California, where the sky is always sunny and the butter and eggs are always fresh. There she writes sundry items for software companies and poems for a tiny audience that may include you. Lauren's publications include The Television Documentary (Second Story, 1999) and This Kind of Interpretation Brings Luck (Lucinda, 2000). Her work has appeared in numerous publications including Kenning, Chain, and Bay Poetics.
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